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The
latest entry into the slowly growing Zombeo-and-Juliet sub-subgenre,
as I think of it (in which a romantic couple must try to maintain
their relationship despite the fact that one of them is undead),
Zombie Honeymoon is a blackly humorous, romantically tragic,
deliciously gruesome study of death, despair, and devotion in
a young starry-eyed couple. According to writer / director / producer
Dave Gebroe, the characters (including their first names, plans,
interests, favorite music, etc.) are based very closely on his
real-life sister and brother-in-law, the latter of whom died suddenly
in a surfing accident only shortly before the couple was to move
to Portugal.
This may well be the most personal zombie film in existence, and
you can sense it just from watching. (For those interested in
Gebroe’s intent with all this, I’d recommend you read the “Interview
with the Director” in the
ZH website’s section “About the Movie.”) Although it had a
very different point, it reminded me of 1974’s Deathdream,
in part because of its intimate, character-driven look at the
ties between and separation of loved ones, through an undead signifier.
The Film
Lovestruck, skinny newlyweds Denise and Danny kick off the film
racing giddily from their wedding to get their beachside honeymoon
into gear. Danny is an avid surfer, which is a somewhat risky
hobby; but then again, so is just hanging out on the beach. Remember
how our parents used to warn us about the undertow, about stepping
on jellyfish and syringes, and about seasick zombies emerging
from the ocean? Well, Danny apparently never listened to his parents,
and ends up with a faceful of zombie puke (closely resembling
crude oil -- is there an environmental message here?).
After dying and mysteriously reviving, the formerly vegetarian
Danny begins his slow transformation into an internally conflicted,
carnivorous ghoul. Denise, meanwhile, has to juggle being married
to a carnivorous ghoul, cleaning blood off the floor, and preparing
a romantic dinner for two. (Most new brides have to deal with
only one or two of these at a time.)
Zombie Honeymoon does a good job at presenting a couple
who are both naive and in love; when the situation goes awry and
degenerates from there, the audience can really sympathize with
them. The acting style and direction are energetic and show clear
development of the main characters. The two leads, Tracy Coogan
and Graham Sibley, are very believable, and the viewer will likely
share the couple’s joy as well as pain -- as during a fun and
heartwarming scene in which they solidify their decision to move
to Portugal. Much of the dialogue is very realistic, besides.
A sharp, understated dark humor peppers the film, with many laughworthy
lines cropping up even in the middle of the most heartwrenching
-- or gutmunching -- scenes. It’s a great combination; humorous,
touching, sorrowful, and seriously gory at times. The effects
are well done, too -- gorehounds won’t be disappointed. Some scenes
are very poignantly conceived, such as when the camera focuses
on Denise as she tries desperately to ignore the sounds of fresh
corpses being chowed upon in the next room.
A few minor complaints: At times the movie lacks some realism
(emergency medics and police seem to have no problem letting non-personnel
tag along while they’re trying to do their job, for example).
I found some of the near-constant rockabilly music a bit distracting,
although it’s forgivable given that the soundtrack is made up
of the favorite songs of the real-life couple on whom the characters
are based. The music is used very nicely at other times, such
as when the characters themselves listen to it.
Dave Gebroe has done a fine job in creating an honest and humorous
zombie movie that is both poignant and effective as a horror film.
(Gebroe has a cameo somewhere in the film as the “Make-Out King.”
I must have missed it, but keep an eye out yourself.)
The Zombies
Not exactly the traditional zombies. Describing how might include
some spoilers, but it comes as no surprise that the main character
retains something of himself even as he undergoes zombifaction.
Zombie Honeymoon also joins 28 Days Later in featuring zombie
barf as an agent of infection. One of the kill scenes gets bonus
points for a fingers-to-the-neck invasive procedure, which may
well be a nod to Jean Rollin’s La Morte Vivante (“The Living Dead
Girl”), another intimate zombie film about love, loss, and dependency.
The makeup is top-notch, and makes Danny’s transformation seem
eerily realistic.
Other Thoughts
I’m not sure whether or not Gebroe intended this, but Zombie Honeymoon
is also very compelling as an examination of addiction (another
way in which it reminded me of Deathdream); or, more specifically,
the effects of addiction on a relationship. Cluing the viewer
in is a key, early fleshmunching scene that’s framed by the purchase
of excessive amounts of wine and the issue of cigarette addiction.
Danny descends into consumptive behavior that he’s not proud of,
but can’t control, either. One of his steak-eating friends even
acts as an enabler to Danny’s newfound desire for meat. Denise,
meanwhile, has to deal with several classic issues that the partners
of alcoholics and drug addicts go through: Danny’s alternating
denial, hostility, and pleas for help; his nausea and sickness;
his loss of grip on his own past and present even as he clings
to dreams for the future; the pain he brings to the people close
to him; and his abandonment of even the things he cares most about
(literalized at one point when he physically throws away his beloved
surfboard). Denise’s dilemma may seem very real to anyone who’s
had a loved one with an addiction problem: Does she walk out?
Try to cure him? Support him in his own struggle? Fight him? Ignore
the problem and try to move forward? The soundtrack offers a humorous
and sympathetic (partial) answer with Tammy Wynette’s “Stand By
Your Man.”
8.5 out of 10 video store clerks sporting a Fulci’s Zombie
t-shirt.
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