Main
Menu
|
|
|
Submissions |
|
Submit
a Review
If
you're involved in a horror movie, book or game and would like
to see it reviewed on HorrorWatch, click
here.
|
|
|
White
Noise
|
|
The
voices of the dead are all around you.
|
|
|
|
|
After
the tragic loss of his wife, Jonathan Rivers heads into a deep
depression over his tragic loss. A few days following the loss
of his wife, Jonathan is visited by a man by the name of Ray Price
who says he has been contacted by the late Anna. Jonathan eventually
looks up Ray and learns of EVP, electronic voice phenomenon, where
the dead try and communicate to the living through the subtle
"white noise" that is all around us. Jonathan becomes
obsessed with the ability and soon learns more than he could ever
imagine.
White Noise is a cross between The Ring and The
Sixth Sense and a fan of either of those films will probably
enjoy it very much.
Micheal Keaton stars as Jonathan Rivers, and after a little absence
from the screen it was good to see him back.
He plays the part well and I really cared for his character thanks
to Keaton's everyman quality. He’s is pretty much the focal
point of the movie as Debra Kara Unger is the only other character
in the movie with any screen time.
The film follows Rivers as he becomes obsessed and isolated by
trying to communicate with his wife. Rivers buys high-tech equipment
and becomes lost in Ray's massive stacks of recorder information.
There is a little computer mumbo jumbo at times but the movie
and the EVP aspects are very easy to follow.
Even though most of the film take place in front of a computer
there are quite a few jumps and scares to be enjoyed, there are
also some truly creepy scenes at one time or another, and the
theater audience gave a few collective gasps at times. There is
no gore but fans of tight suspense will be very satisfied.
The best thing about this movie is how it draws you in. I mean,
as Rivers was looking at the films and listening to the audio
recordings, I found myself leaning in to study the screen and
turning my head to try and listen to what was muffled on the tapes,
you truly become part of the film as you try and decipher what’s
on the tapes and screens before Rivers does.
White Noise is a good flick and is worth the price of the ticket.
It is a film about loss and trying to cope with sadness, which
is something we can all really relate to at one time or another.
The ending leaves you hanging a bit, but it also could lead into
a follow up film, which could be quite interesting. A good mix
of mystery and chills and an excellent job by Michael Keaton gives
White Noise a 6 of 10 from me.
|
|
White
Noise
|
|
The
voices of the dead are all around you.
|
|
|
|
|
I really enjoyed this movie, even though I came into it a bit
skeptical. This movie reminded me of Dragonfly and Mothman
Prophecies, with a dash of Witchboard.
There was nothing really frightening about the movie, but I did
count that I got legitimate chills 5 times. That's a pretty
good metric for a movie.
I also enjoyed the fact that they didn't explain the 3 bad
guys at all. This shroud of mystery made it awesome and unbearable
at the same time. Were they demons? Were they ex-serial killers?
Who knows? Good intrigue.
I was expecting a tie-in between Keaton's wife and the medium
guy, but it never evolved. But you know, they never really outright
denied it.
Anyway, I surprisingly enjoyed this. Big time hollywood has been
shoveling out a lot of shit in the last 5 years, under the guise
of fresh new horror. I originally thought that this would be no
different, but I was wrong. I give this 7.5 out of 10 people that
decided to stalk somebody that they wanted to talk to, instead
of just calling them.
|
|
White
Noise
|
|
The
voices of the dead are all around you.
|
|
|
|
|
White
Noise
is a film that had massive potential and wasted most of it in
favor of a 'mystery' that asks more questions than it
answers.
The plot has Michael Keaton at the mercy of those three Kryptonian
criminals that Christopher Reeve inadvertently released in Superman
II. They break free from their window pane prison and decide
to use the airwaves to...oh hell, you all know it by now.
It does feature quite a few jump scenes, but most of them feel
cheap. The DVD, it must also be noted, has one of the most annoying
dynamic sound ranges I've ever heard. Dialogue is often so
quiet as to be unintelligable, while the louds are ear-splitting.
I had a headache afterward, and my left ear is still bleeding
a bit.
As creepy horror films go though, it's a mostly solid film
(UGH! That ending!), with an interesting, if not entirely believable
premise. As Prime said, you really do get sucked into the screen
with Keaton as he strains to understand faint images and voices.
I give it a 6 out of 10 bodies that pile up before we even see
one cop.
|
|
White
Noise
|
|
The
voices of the dead are all around you.
|
|
|
|
|
I really enjoyed this movie, and to be honest it gave me a bit
of the creeps after watching. Just a weird, creepy night where
it was easy to imagine three evil silhouettes sneaking about in
my big, dark house.
It was a slow, smart film where little happens but your attention
is kept just the same. Mine was, anyway. I personally would have
been scared off long before the end of the movie, there’s something
about stuff that can’t be shot or kicked that’s just creepier
than stuff I can kick or shoot. Seriously, at least you can kick
a werewolf.
Keaton’s always good, but I particularly liked him in this role,
a more intense one than most of his, where he never seemed to
overplay the grief or other emotions, but made them all very clear.
It actually brought to mind that he was being “haunted” in more
than one way throughout the movie, and I thought that worked.
The best part was how intently we listened and how we hopped when
we heard something. Good and creepy.
7 out of 10
|
|
White
Noise
|
|
The
voices of the dead are all around you.
|
|
|
|
|
I just watched this movie today, and I must say, it worked for
me. I agree that the ending leaves a bit to be desired, but for
the most part this film creeped me out. The whole EVP thing spooked
me to begin with, as it plays on the whole fear of the unknown
thing.
Especially knowing that according to the film's makers all
recordings in the movie were actual EVP recordings, not sounds
done for the film. Maybe I'm naive, but I kept that in the
back of my mind as I listened to each tape being played back.
They never really explained how he was able to receive images
from the future, but as it is a horror film I understand you have
to suspend disbelief a bit. I will say I had butterflies throughout
the movie, which is a pretty good sign for me that it is doing
its job well.
Overall, 6 out 10 rewinds to figure out "what did it say?"
|
(2005)
Geoffrey Sax, Niall Johnson
Michael Keaton .... Jonathan Rivers
Chandra West .... Anna Rivers
Deborah Kara Unger .... Sarah Tate
Ian McNeice .... Raymond Price
Sarah Strange .... Jane
Nicholas Elia .... Mike Rivers
Mike Dopud .... Detective Smits
Marsha Regis .... Police Woman
Brad Sihvon .... Minister
Mitchell Kosterman .... Work Man
L. Harvey Gold .... Business Man
Amber Rothwell .... Susie Tomlinson
Suzanne Ristic .... Mary Freeman
Keegan Connor Tracy .... Mirabelle Keegan
Miranda Frigon .... Carol Black - Car Crash Woman
|
|
Search
the Site |
|
|
|