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The
Descent
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Afraid
of the dark? You will be.
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A
group of female friends led by Juno (Natalie Mendoza) encounter
bloodthirsty creatures when they get trapped in a mountain cave
due to an avalanche. Worst of all, their friendships sour and
they discover their real fear is from each other.
This has to be one of the best films of this year. This movie
accomplishes what The Cave didn't. Full of terrifying
suspense, ample blood flow, awesome looking creatures, action
packed sequences, and all without the use of CGI.
The atmosphere was totally creepy the whole way through. At times,
I actually think the hairs on the back of my neck were standing
up. More than once I jumped and almost fell over. Every time somebody
rounded a corner, I found myself holding my breath. This is as
creepy as creepy gets.
The acting was superb. The actresses really draw you in to their
world. They make you feel almost as if you are right there with
them. Never have I seen such powerful performances in a low budget
film.
The "crawlers" add perfectly to the creepiness. They
are plain ferocious that can move with unbelievable speed. They
also like to rip their prey apart as blood goes everywhere.
I highly, highly recommend this film to any and every horror fan.
This is one movie not to be missed. This film puts you in a downward
spiral full of fear. Good luck watching this alone in the dark.
Hands down, I give this a 10 out of 10
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The
Descent
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Afraid
of the dark? You will be.
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Europe
is quickly becoming the new Japan nowadays, as far as horror movies
are concerned. The Descent follows the path cleared by such movies
as Haute Tension,
Calvaire and Creep,
giving a fresh look at some of the scary movie cliches. This time,
it's the "small group of people trapped without hope
of rescue - tension - alienation" gig.
I'll get straight to the point. This movie has everything
that The Cave lacked. Great story, witty dialogue, suspense,
top knotch cinematography. Basically, this is horror at its best.
And it achieves the title without a single CGI shot.
All the characters are pure flesh & blood. Some are likable, some
aren't but not one of them is flat or monster fodder. And
as far as the monsters are concerned... The creepers have to be
one of the coolest scary creatures ever. No CG, all "analogue",
make-up and clever cinematography. They're not immortal (far
from it actually) or supernatural. They're just purely ferocious.
The way they look, the way they move... Simply awesome.
All in all, I just can't force myself to bitch about this
movie. It's smart (if you think a movie about a couple of
girls trapped beneath the earth with a brood of monsters can't
have any psychological depth - you're dead wrong!). It's
fast paced. It's simply great.
9 out of 10 hatchets to the neck.
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The
Descent
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Afraid
of the dark? You will be.
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A
group of six thrill-seeking friends reunite to go spelunking.
Unfortunately for them... they picked the wrong cave. Deep below
the surface of the Earth they find that they must not only find
a way out, but fend for their very lives.
The worst was supposed to be over for Sarah. After losing her
husband and daughter in car accident one year prior, getting back
together with old friends and making new memories had to be the
best therapy. Being that adventure has always been these women's
idea of a vacation; they set off on a caving expedition in the
wilderness headed by Sarah's best friend Juno. So after a
bit of good ol' fashioned character development, we too begin
the descent.
And what a descent it was. You've all seen the commercial
proclaiming this movie to be more gory than Hostel and
the likes. It is. It will certainly appeal to the gorehounds that
frequent this site so often. There is one particular part involving
a fractured leg that made me squeamish.
You've also heard the commercial use the movie Alien
as a comparison to the "thriller" aspects of this movie.
The Descent does have a group of friends far away from
civilization being picked off one by one creatures darting out
of the darkness, so I suppose I can see why the promoters would
say that. Do not get me wrong, however, that would be the only
way I would compare this to Alien.
I really enjoyed this movie for many reasons. One of which was
the way that it was filmed. It was very frantic and desperate,
much like the plight of our characters. At some points the claustrophobia
really kicks in and you as the audience truly feel it! The creatures
were designed well and individuals in appearance. They're
movement as very agile but devoid of fluidity. That I found to
be quite… kooky. This was no B rate production in terms
of special effects, and they deliver with the gore in oh so many
ways.
It's not hard to believe that subterranean creatures would
have horrible table manners. God, are they sloppy eaters!
With that said, I would also like to point out the few things
that I could have done without / didn't enjoy. In my opinion
this starts, slows down a lot (the aforementioned character development),
and THEN really gets going. Also there are A LOT of shots where
you just wish there would have been a bit more lighting –
or perhaps a better camera angle. The UK version that I saw was
overdubbed as will be the US release, sometimes that turns people
off. Last but not least I’m going to bring up the ending
here because it is definitely "love it or hate it" material.
I don't want to reveal any details, but that seems to be
the general consensus. The US release is supposed to have a different
ending than the one that I just watched which I can only imagine
was done to relieve the audience of the "duh?" sort
of effect.
Other than the above details, I was thoroughly impressed with
this movie. In my opinion this was a well needed breath of fresh
air, and I hope it's not the last of it's quality in
terms of horror at the box office the remainder of this year.
My advice to my fellow Horrorwatchers would be to check this one
out when it hits theatres August 4th. It's even going to
have the new Saw 3 trailer on there for further incentive. I'll
be there to experience it on the big screen, myself. Now if you'll
all excuse me I have to go and buy some stock in LionsGate.
Good Stuff! 8 out of 10 brilliantly creepy nightvision shots.
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The
Descent
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Afraid
of the dark? You will be.
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I
remember the first time I saw the original Texas Chainsaw Massacre.
It was raw and visceral and left me feeling completely shell shocked:
the feeling that there might, just possibly, be people that evil
in this world. The Descent leaves me feeling the same way.
In a clever twist on John Carpenter's The Thing,"
a group of six women go cave jumping under the lead of tough-girl
Juno (played by Natalie Mendoza with enough balls to make Michelle
Rodriguez nervous). Instead of taking her team to a previously
agreed upon "tourist trap," she quietly leads them to
a supposedly uncharted cavern and, in doing so, may have just
condemned them all to death.
Without giving away more than the trailer, it's safe to say
that they are not alone. As the film progresses, the characters
begin to prove that they are as dark as the caverns they're
descending: They are ugly and brutal, and there are no heros here.
What everyone really wants to know though: Is The Descent
as gory as the advertisements claim it to be? Hells, yes. It may
not be the goriest film ever made (I still think that's "Buried
Alive") but it definitely does not disappoint. You
will see decapitations, eye gougings, Day of the Dead-style
gut rippings, and other tasty treats. For a film with a decent
budget and distributor, the camera is surprisingly unflinching,
and Writer/Director Neil Marshall is not afraid to let it linger.
Marshall also cleverly has one of the characters bring along a
video camera. This not only makes for some nifty Blair Witch-styled
moments, but it enables him to use the camera's night vision
mode to show us things that would otherwise be unviewable.
Nevertheless, The Descent is claustrophobic and dark, and
it uses these characteristics to its advantage: keeping your eyes
darting at the edges of the screen for a glimpse of something,
anything amidst the black.
This film brings to mind (both visually and in its score) such
films as Alien, Tomb Raider, and Jaws among
others, but stands strong on its own. It has a bare-bones plot,
and it has plenty of gore, but it has a disturbing subtext about
humanity running beneath its surface, and I believe it will be
considered a classic ten years from now.
The Descent is a damned fine film.
Pros: Strong cast.
Solid effects. not afraid to show us the gore.
Cons: Because of the
limited pallette of the film, it's sometimes difficult to
see who is who.
Review Rating: 9 out
of 10 creepy child-like laughs coming from the darkness.
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The
Descent
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Afraid
of the dark? You will be.
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Speeeee-lunking bitchfest with mole people. What a great movie.
I laughed, I cried, I screamed... well, I didn't cry.
Set in a cave in the Appalachians and surrounded by a backstory
of backstabbing, this movie is just as much of a survival movie
as a horror movie. The climbing and caving was almost more intense
than the run-ins with the cave dwellers. The creatures were quite
gross; don't get me wrong. Pale, sticky, feral, and up close,
blind white eyes, pasty tongues. But it was the interaction in
tight spaces and darkness, and the anxiety and desperation that
goes along with it, that affected me the most.
The thing was just terribly well done. There were no campy, awful
one-liners; no unrealistic feats of badass-ness. You could feel
the climbers straining as they hung from one arm to attach clips
to the ceiling, their fingers bleeding, weak because they can't
hold themselves up anymore. It's powerful stuff. The film
even fails to completely villainize the most amoral of the women,
Juno - she knows who she is, and she feels terrible.
Extra nod to the director for the entirely female cast. I always
enjoy female-driven movies that don't focus on the characters'
sexuality (a la Alien).
All in all, a great time. 10 out of 10 broken tibias sticking
out
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The
Descent
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Afraid
of the dark? You will be.
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Immediately startling and driven by characterization and pace
rather than hardcore gore and frenetic action (though it certainly
has more than enough of both), The Descent is one of the
best horror films I have ever seen - and that covers a lot of
ground.
Director Neil Marshall- who demonstrated his keen eye for how
to stage a genre picture in the superior effort "Dog Soldiers"-
tells the tale of six women meeting for a sort of reunion a year
after tragedy affects one of their number. They are the types
who go whitewater rafting, climb mountains, etc. You get the idea.
This year it's cave spelunking.
Marshall first takes the time to establish the bond and interconnecting
story threads of the six women destined to undertake the titular
attempt. By focusing on developing a bond between the viewer and
the six protagonists (in their own way, each woman is the primary
protagonist of the film. There is no random cannon fodder here),
Marshall is able to elicit symapthy, contempt and even emapthy
for the characters.
Which makes it all the more painful when these women end up riding
the express locomotive straight into the Seventh Level of Hell.
That's not an exaggeration. Decscending into impenetrable
darkness (which even their flashlights cannot truly pierce), the
women find themselves engaged in an unexpected encounter with
something very, very unpleasant . Something that has been living
down in those dark depths for ages and has developed a ravenous
appetite as well as keen instincts for the hunt.
Don't miss this one. It has moments that are terrifying even
when the women are simply trying to get through one tunnel and
into another random cavern. There are excellent twists and turns
in the plot, and never does the audience feel seperated from the
events in the film. As they happen to the characters, so do the
horrors of "The Descent" happen to the veiwer.
To rely upon an overused phrase, "The Descent really
IS a modern classic. Thirty years from now, this will be on the
list of defining moments in horror cinema, deservedly sharing
company with the likes of The Texas Chainsaw Massacre,
Hellraiser, Halloween,
A
Nightmare on Elm Street and - of course- Alien,
to which it bears the strongest thematic resemblance.
This movie is genuinely scary for all of the right reasons.
Ten out of ten weekend excursions which climax in heart stopping
terror.
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The
Descent
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Afraid
of the dark? You will be.
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I thoroughly enjoyed The Descent, except for the start
and the finish. The Descent is a damn good flick and worth
owning, it has great suspense, good scares and man does the blood
flow, I saw the unrated version, so I don’t know what was left
out of the theatrical release.
I liked the group of characters and the entire plot line was very
enjoyable to follow. Which brings me to the question, Why was
the first five minutes needed? This flick should have started
with the group of girls getting off of a plane having a little
meet and greet and heading off to the woods. The short back story,
flash backs and “glimpse” between two people was just not needed,
and that ending, WTF? All of that kind of put a haze over for
the movie for me.
Now once we get down into the cave, this flick kicks ass and takes
names. I loved the atmosphere and claustrophobia of the caverns
the girls were in and the sets were done very well and the hunter/prey
aspect of the creatures and the girls was terrific, not to mention
the close quarter combat was sweet as well.
I liked the creatures, although I do think they were based off
of Gary Oldman’s Dracula
bat-hybrid phase, but their abilities at times seemed to work
as needed for the movies suspense than the creatures needs, but
all and all they are some nasty little cave dwellers.
I liked The Descent, well actually I really liked The
Descent, but those few opening and closing moments really
irked me. If this flick would have simply stayed on the life and
death battle of the girls and the creatures it would have been
damn near perfect.
7 of 10
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The
Descent
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Afraid
of the dark? You will be.
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Well I finally got around to watching this film. I must say I
was very impressed.
I had extremely high expectations going into this. I love creature
features and the director's first entry into the horror genre,
Dog Soliders, I consider to be one of the best horror flicks
ever made. Generally speaking high expectations can lead to some
massive let downs. Not the case at all here.
The film scored on virtually every level- plot, pacing, acting,
cinematography, scares, gore, intellegence. The creatures looked
great. Though it takes quite a bit of time till we are introduced
to them. However this didn't bother me in the slightest because
the film stood up so well even without the devouring ghouls.
This will almost certainly go down as a classic in the genre.
Neil Marshal has firmly established himself as the modern day
horror king in my mind after two powerhouse films. I anxiously
await his next project.
8 out of 10 Times I still want to know the way out of that cavern!
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(2005)
Neil Marshall
Shauna Macdonald .... Sarah
Natalie Jackson Mendoza .... Juno
Alex Reid .... Beth
Saskia Mulder .... Rebecca
MyAnna Buring .... Sam
Nora-Jane Noone .... Holly
Oliver Milburn .... Paul
Molly Kayll .... Jessica
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