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This
movie does not waste any time in delivering the action. It starts
out with our tragic protagonist Francesco Dellamorte talking on
the phone. As he is talking, he hears a knock at the door. It
turns out it is a zombie. Francesco, anticipating this, caps the
fucker in the head, then casually gets back into his phone conversation.
Francesco is a caretaker for a cemetery. His mentally challenged
friend Gnaghi (noggy) helps him with these duties. This is no
average cemetery however. For some reason, the dead are coming
back to life. These zombies are aptly called “returners”. Dellamorte
has accepted this and feels it is his duty to see that the “returners”
are sent back to the grave once and for all. If this undead epidemic
were to be exposed, he could lose his job. This is his line of
logic.
Dellamorte is a very intriguing character. He is depressed, suffers
from low self-esteem, is very philosophical, is very unlucky in
love, has wild rumors about him spread about town, and has an
odd preoccupation with reading phone books. Oh yeah, he is also
a freakin’ zombie killin’ machine. It is this desensitization
to killing and death that eventually starts Dellamorte’s dark
downward spiral into despair and destruction.
One day, Francesco sees a mourning widow at the cemetery. He is
instantly transfixed on her and falls instantly in love. In a
wild turn of events, she eventually does the same. Then, as they
are getting it on atop her deceased husband’s grave ("they hid
nothing from each other", she claims), her husband “returns” and
bites the woman and she dies of fright, or the bite, or something
like that. Francesco is crushed, and vows that they will be together
forever. All that changes however, when she comes back to cash
in on that promise. There are some things that happen after this,
including a relationship involving our friend Gnaghi (I will not
spoil this one for you), a busload of zombie boy scouts, motorcycle
zombies, Death himself, a righteous killing spree, many zombie
asskickings, and much more. I will leave the plot as it is, because
you really have to watch this play out to appreciate it.
The zombies in this movie are top notch. A couple of them are
downright frightening. The gore is also exceptional, as is the
violence. You see decapitations, cars running over people, many,
many gun wounds. It’s all in here! There is some good nudity going
on too. You see Anna Falchi in different stages of unclothedness.
There are also some beefcake (non Gnaghi) ass shots for all you
non-traditional guys and traditional girls. Something for everybody,
even necrophiliacs (please remain anonymous)!
The acting was good. Francesco and Gnaghi are very well developed
characters. Everybody pulls it off, despite being put into some
extremely awkward situations. I found myself legitimately concerned
about the characters and their well being. I found that quite
impressive with such an over the top premise of zombies and unrequited
love. The humor is top notch and frequent also, though this is
not a comedy, as some sources have suggested. The storyline is
excellent from beginning to end (especially the end). Michele
Soavi’s direction and vision with this movie was excellent. Soavi
is influenced by Dario Argento, and you can see some of this in
Soavi’s beautiful imagery and creative camerawork.
Overall, I can’t say enough about this movie. Fucking top notch.
This is a thinking person’s zombie flick. Very deep and philosophical,
yet full of action and ludicrous humor.
I give this 10 out of 10 little girl’s decapitated heads stuck
in a TV set.
This review was fueled by Amon Amarth and Gatorade. What can I
say, I have to work in the morning.
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